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It can be newsprint, scraps, cardboard, photographs, crayons, paints, etc. The collage consists of the creation of a painting using the most diverse skillful materials for the elaboration of an image. To get an idea, the same result is obtained as when a coin is placed under a piece of paper and rubbed on it. The "rubbing" consists of capturing an illustration in charcoal or pencil on rubbed paper so that the textures appear. The first to apply this technique was the notable artist Max Ernst. Once dry, with an awl the black paint was torn forming a figure or illustration. Afterwards, talcum powder was applied to the paints and they were painted over again, this time all in black. For its application they took a canvas or cloth and applied layers of paint of different colors. The artist can mix colors in a pot and then drip the canvas, emerging from this technique different networks or overlapping lines.
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Lyrical abstraction was not a specific school or movement, rather it was a trend within the so-called Art Informel. Kandinsky was a painter and expert in art theory considered the father of abstraction. Headed by artists such as Gérard Schneider, Georges Mathieu, Hans Hartung, and Pierre Soulages, the lyrical abstraction movement is commonly remembered for being the first to apply Vassily Kandinsky's fundamentals. This style was opposed to the previous styles of modern art (including cubism, surrealism and geometric abstraction) and accepted the expression of emotion in search of the 'inner self'. It was often characterized by gestural brush movements performed against an expansive background. This cultural trend prevailed from 1945 to 1995. The lyrical abstraction It was an artistic movement born after the Second World War in Paris. American lyrical abstraction (1960-1970).Rythme, Joie de vivre (1930) by Robert Delaunay.It was, however, a fairly short reign (late 1957), which was quickly supplanted by the New Realism of Pierre Restany and Yves Klein. A wind blew over the capital when Georges Mathieu decided to hold two exhibitions: "Abstraction Lyrique" at the Palais du Luxembourg in 1947 and then "HWPSMTB" ( Hans Hartung, Wols, Francis Picabia, Francis Stahly sculptor, Georges Mathieu, Michel Tapié and Camille Bryen) in 1948. Many exhibitions were held in Paris for example at the Drouin gallery where one could see Jean Le Moal, Gustave Singier, Alfred Manessier, Roger Bissière, Wols and others. For the artists in France, lyrical abstraction represented an opening to personal expression. Lyrical abstraction was in some ways the first to apply the lessons of Kandinsky, considered one of the fathers of abstraction. Lyrical abstraction was opposed not only to Cubist and Surrealist movements that preceded it, but also to geometric abstraction (or "cold abstraction"). The New York School versus the School of Paris. It is possible that lyrical abstraction also represented a competition between Paris and the new American school of painting, Abstract Expressionism, based in New York representated by Jackson Pollock, Willem de Kooning and many others. Some art critics looked at the new abstraction as an attempt to try to restore the image of artistic Paris, which had held the rank of capital of the arts until the war.
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Lyrical Abstraction is an art movement born in Paris after World War II.Īt that time, France was trying to reconstruct her identity devastated by the Occupation and Collaboration.